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The kits consist of a pre-made
fiber harness and light source. The end user or contractor
is responsible for designing the star field, bringing power
to the LS, installing the fiber and wiring the light source.
Kits are convenient. Because they are pre-made, the terminations
are high quality (far less likely to burn or melt), and there
is no measuring, or cutting (so far fewer mistakes are likely)
However, kits are restrictive, making them limited in application
to smaller room areas (10x10 maximum) in most cases)
Still other suppliers, including
FTI, offer a pre drilled/pre-installed fiber in 2x2’
or 2x4’ ceiling or acoustic panels per architect's spec.
Customer or contractor is required to create the common end,
make the connections, and wire the LS.
A 4th approach consists of
a pre-made and hung panel, suspended from the ceiling, or
inserted into the ceiling (a dome, for example). The fiber
supplier may drill and install the star field, but fabricating
and hanging the panel, and bringing power to the light source
are customer’s (Contractor's) responsibilities.
FTI offers a hybrid system
combining the convenience of a kit, with the versatility of
a custom installation.
TECHNICAL CONSIDERATIONS
Fiber
Almost all designs use plastic (PMMA) fiber in several diameters.
.75mm fiber is the base size
for the star field effect. Using various diameters, as well
as varying the fiber-end distance from the ceiling improves
realism. The recommended sizes are 5mm, .75mm, 1.5mm, and
3mm.
Typically unjacketed fiber
is used. If the ceiling is translucent (perforated, for example)
it would be wise to use jacketed fiber to prevent the ceiling
from glowing.
Sometimes, acrylic shapes are
side lit to create certain shapes (the rings of Saturn, for
example)
Light source
In kits, the light source of choice is the low wattage quartz
halogen LS. Semi-custom kits use Quartz Halogen or HID. LED
light sources are also available. Please visit our light
source page for general light source information and view
our complete selection.
Heat and lamp maintenance are
the major “design challenges” to overcome when
using Quartz Halogen or HID lighting. Typically, the light
source is installed in the ceiling, requiring additional electrical
outlets or wiring the LS directly into an existing light circuit.
As a matter of convenience, the LS should be located in a
closet (for convenient lamp changing) but this limits the
pattern coverage when using an off-the-shelf kit; unless an
extension bundle is used, or the user opts for a custom installation.
Design
In real life, the distribution of stars in any given field
of view is random. However, we tend to be uneasy with large
voids and have an urge to balance the star effect, which reduces
realism. This urge must be avoided. Take a look at the night
sky; you’ll see clusters of stars and large distances
of open space. This is the approach you should execute for
the most pleasing effect. Of course, if your goal is a commercial
lighting effect for visual interest, feel free to experiment.
Many people envision a duplicate
of the sky, or hope to approximate constellations. Patterns
can be used for this approach, but the effort is typically
not worth the extra time and cost investment, as the scale
of most installations is too small (Ceiling too close, star
area too small) for the effect to be easily recognizable.
However, the one exception is the big dipper, which can be
easily managed and recognized.
If you’re reluctant to
take on the challenge of star field layout, Sandy Jeakins,
a trained engineer and Starscape customer developed a layout
idea that works well for ceilings (with access from above)
already in place. She placed dimes and pennies on the floor,
experimenting with the layout until it looked right.
Even though the size differential
of the penny and dime does not equate directly to fiber size
(which created some clutter on the floor) she was able to
compensate in her mind. Once satisfied, she made a simple
fixture to hold a laser pointer, which she then placed over
each coin. This located the drill point on the ceiling, which
was then drilled and fiber inserted.
Site location is an important consideration. In the city,
fewer stars are seen by the observer than compared to looking
at the same sky in the suburbs or a rural area. For general
consideration, 1-3 stars per square foot can be seen from
a city perspective, 3-4 stars per square foot from the suburbs
and much higher densities (5-7 stars per square foot) in rural
areas.
Most installations use 3-4
stars per square foot to simulate a night sky. This number
can also vary with the type of light source used, ambient
lighting in the space, the distance of the star field from
the viewer and the desired effect. That is, to create the
illusion of a galaxy, densities 2-3x the above are required.
To see an example of different star densities, click
here.
Motion can be created by a
special placement of the fibers in the common end (known as
mapping), combined with the use of electronic control. DMX
(Digital multiplexing) control is a serial communication technique
used to remotely manage light output (dimming, on/off) of
several light sources. In addition, color/twinkle wheels are
also controlled…their speed, direction, and start/stop
times are controlled thru a “DMX” controller.
Shooting stars and spinning nebulae effects can be achieved.
Most home star ceilings do not use DMX.
Need
more information? Contact Zach
Morin. Or call us toll free at 1.800.433.5248
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